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Biographies
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VICTOR TRENT COOK
A native New Yorker, Mr. Cook began singing
at the age of three in his home church, The House of David. Upon
discovering his unique talent he was enrolled in the Brooklyn Boys Chorus
School of Musical Training, under the direction of James McCarthy.
Participating in its concert choir enabled Cook to travel throughout the
United States and Rome, where he sang for the Pope. He then was selected to
sing the boy alto solo in Leonard Bernstein’s “Chichester
Psalms” with the New York Philharmonic,directed by Zubin
Mehta, his first professional endeavor. Mr. Cook’s journey continued with
singing as boy soprano soloist with renowned conductors such as James Levine
and Seiji Ozawa, and performing in the world’s most famous venues, |
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such as The White House, Carnegie Hall, Avery
Fisher hall, Boston Symphony Hall, and the John F. Kennedy Center. He was
discovered by a New York commercial agent, which led to his introduction to
theatrical mogul Joseph Papp. Papp embraced Cook’s abilities and opened the
door for him to appear in numerous Off-Broadway productions, including The
Haggahdah, Romance in Hard Times, Little Mighty, Moby Dick, and Joseph
and the Amazing Technicolor Dreamcoat. He eventually went from
Off-Broadway to his first Broadway production, Don’t Get God Started,
for which he received raves reviews. He also competed 10 consecutive times
on “Star Search,” where his repeated wins led him to gain the title
of Star Search 1998 “$100,000 Male Vocal Champion!” The exposure cause Mr.
Cook to be approached by various record labels and he ultimately signed with
CBS Records. While recording his CBS Records debut album he performed
throughout Europe and Japan, where he starred in such renowned shows as
Body and Soul and Harlem Symphony. Next, having acquired a thirst for
television, he decided to come back to the States to try his luck on the
small screen. He won roles on various soaps, including All My Children.
Mr. Cook also made guest and feature appearances on such hit shows as The
Days & Night Of Molly Dodd, The Arsenio Hall Show, and more recently the
Today Show and the Rosie O’Donnell Show. He also made room for the
big screen, appearing in two featured films, Hagin’with the Homeboys and
Starlight. Mr. Cook’s film projects were New York-based, which kept
Broadway’s temptation close. He starred in such hits as St. Louis Woman,
opposite Vanessa Williams, and Smokey Joe’s Café, for which he was
nominated for a Tony Award. Most recently, Mr. Cook has been seen touring
with Cinderella, starring Eartha Kitt, as well as touring, recording
and performing as part of the well-known ensemble Cook, Dixon and Young.
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RODRICK DIXON
Rodrick Dixon’s dramatic stage presence and stunning vocal qualities
have established him as one of the rising stars in opera, contemporary
opera, oratorio, concerts and recitals.
In 2009, Mr.
Dixon will make his Los Angeles Philharmonic debut as Oedipus Rex and
return to the Cincinnati May Festival. In 2008 for the Los Angeles Opera
and Philadelphia Orchestra, Rodrick Dixon delivered a powerfully
gripping performance as the Dwarf in the opera Der Zwerg conducted by
James Conlon. Opera News considered his portrayal of the Dwarf a
triumph! In the spring and summer of 08’ at the Cincinnati May Festival, he performed the
Beethoven 9th, |
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appeared as Trabuco in the concert version of
La Forza del Destino and reunited with the Chicago Symphony Orchestra
at Millennium Park for a Gala Concert celebrating the city of Chicago’s 2016
Olympic bid.
In 2007, Rodrick Dixon made his LA Opera debut as Walther von der
Vogelweide in Wagner’s Tannhaeuser and performed excerpts of
Korngold’s Die Tote Stadt and Schuloff’s Flammen for Recovered
Voices. He returned to the May Festival to sing Rossini’s Stabat
Mater; appeared as Lenski in Todi Music Festival’s summer
production of Eugene Onegin; and filmed the PBS special The United
States Air Force 60th Anniversary: A Musical Celebration. The rest of
the 2007 season included duet recitals with Soprano Alfreda Burke for the
Umbria Music Festival in Italy, concerts in Anchorage, Los Angeles,
Washington D.C., Tennessee, Detroit, Toronto, Dayton and Chicago. He
participated as a guest soloist for the Cincinnati Symphony’s New Year’s Eve
Celebration.
Mr. Dixon’s additional opera credits include Michigan Opera Theater’s and
Todi Music Festival’s La Fille Du Regiment (Tonio). He made
his debut in Portland Opera’s Les Contes d’Hoffmann (Hoffmann);
Columbus Opera’s world premiere Vanqui (Prince); Virginia
Opera’s Porgy & Bess (Sportin’ Life). In 1992, he joined the
Lyric Opera Center for American Artists. His Lyric Opera of Chicago credits
include appearances in Don Quichote, Il Trovatore, McTeague, Un Ballo in
Maschera, La Boheme, La Traviata, and Prince in the world
premiere of The Song of Majnun. As a Lyric Opera center member, he
participated in The Rossini Gala at the Ravinia Festival and a
series of concerts at the Chatele Theater in Paris.
Other notable symphony engagements include Rachmaninoff’s The Bells
(Op.35) and Orff’s Carmina Burana for the May Festival. He
performed the Beethoven 9th Symphony and a concert of Opera
& Broadway for the Vail Music Festival, under the baton of Marin
Alsop. From 2001-2004 he made orchestral appearances with the
Tenors Cook, Dixon & Young at Atlanta Symphony, the Hollywood Bowl with
the Los Angeles Symphony, Cincinnati Symphony, Pittsburgh Symphony, Dayton
Symphony, Denver Symphony, West Virginia Symphony, Chicago Symphony at
Millennium Park; Elgin Symphony, Rackham Symphony Chorus and the Concordia
Orchestra at Lincoln Center. Mr. Dixon received rave reviews for his
Dame Myra Hess Memorial Concert broadcast honoring Roland Hayes
on WFMT-FM/Chicago. He has been presented in pre-concert recitals at the
May Festival; completed a 30 city tour for Community Concerts (2000-2001)
and a duet concert Following in the Footsteps (Hampton
University) both with Soprano Alfreda Burke.
Mr. Dixon’s most
recent recordings (Sony/BMG), PBS Great Performances Cook, Dixon & Young
Volume One released in (2005), Follow That Star Christmas CD
(2003), Liam Lawton’s Sacred Land (2006) Rodrick Dixon Live in
Concert (2008) and Chicago Olympic Bid Anthem “I Will Stand” for the
2016 Games (2008).
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THOMAS YOUNG
Grammy-award winning lyric
tenor Thomas Young has appeared as a principal soloist in the major
concert halls and opera houses of some 30 countries, and under the baton
of, among others, Zubin Mehta, Roger Norrington, Simon Rattle, and
Esa-Pekka Salonen. In addition to his distinguished performance career,
Mr. Young serves as a tenured Professor of Music at Sarah Lawrence
College and is in demand as a conductor, clinician and master class
specialist.
Known for his
unique dramatic and musical intelligence,
as well as beauty of tone and exceptional technique,
Mr. Young is recognized as today’s foremost interpreter of tenor roles
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in contemporary
opera. Mr. Young made his Chicago Lyric Opera debut in the world premiere of
Anthony Davis’
Amistad
as the Trickster God, a role
written for him by Mr. Davis. Mr. Young made his New York City Opera debut
singing the dual roles of Street and Elijah Muhammad in his first
collaboration with Davis for the world premiere of
X: The Life and Times of
Malcolm X. After this
“brilliantly chameleonic performance” (Donal Henahan – The New York Times),
New York City Opera invited him back to sing Aron in Schoenberg’s
Moses und Aron
and then Desportes in
Zimmermann’s
Die Soldaten. Anthony
Davis went on to compose another role for Mr. Young in the science-fiction
opera Under the
Double Moon, which
premiered at the Opera Theatre of St. Louis.
Marking his San Francisco Opera
debut in John Adams’
The Death of Klinghoffer,
Mr. Young created the
role of Molqi and the role of Jonathan Rumor for the world premiere at the
Opera de la Monnale in Brussels. Under the direction of Peter Sellars and
baton of Kent Nagano, performances followed at the Opera de Lyon, Vienna
Festival, and Brooklyn Academy of Music. Called on 48 hours notice, Mr.
Young made his Covent Garden debut as the rebel Schwalb in Hindemith’s
Mathis der
Mahler,
again under
the direction of Peter Sellars with Esa-Pekka Salonen conducting.
Mr. Young sang Polo in Tan Dun’s
Marco Polo
at the Hong Kong
Festival, a role which he created for the Biennale Festival in Munich.
Performances followed in Glasgow, London, Amsterdam, Torino and Tokyo. Mr.
Young’s work at the Netherlands Opera includes Stravinsky’s
Biblical Pieces
under the direction of Peter
Sellars with Reinbert de Leeuw conducting, Birtwistle’s
Punch and Judy,
Schoenberg’s
Von Heute auf Morgan
directed by Pierre Audi and conducted by Oliver Knussen, and Shostakovich’s
Lady Macbeth of
Mtensk directed by
David Poutney. Other roles include Stravinsky’s
Oedipus Rex
in the title role, Gounod’s
Faust
in the title role, the U.S.
premiere of Rossini’s
Armida
in the role of Rinaldo at Tulsa
Opera, Handel’s
Imeneo
at New York City’s Town Hall and
Gershwin’s
Porgy and Bess
in the
role of Sportin’ Life at Houston Grand Opera.
Mr. Young was called on 48 hours
notice to sing Aron in Schoenberg’s
Moses und Aron
at the Maggio Musicale
Florentino Festival in
Florence.
Under the baton of Zubin Mehta, Mr. Young’s singing was “… just short of
miraculous” (Corriere della Sera).
Mr. Young’s North American
concert appearances include performances in Blitzstein’s
Airborne Symphony
and Schmidt’s
The Book of Seven Seals
with the American
Symphony Orchestra at Avery Fisher Hall; Beethoven’s
Ninth Symphony
with the Brooklyn
Philharmonic conducted by Dennis Russell Davies at Brooklyn Academy of Music
and Avery Fisher Hall; Mozart’s
Great Mass in C
conducted by Lukas Foss at
Brooklyn Academy of Music;
Too Hot to Handel,
written for Mr. Young, and Duke Ellington’s
Sacred Songs
with Concordia Orchestra
conducted by Marin Alsop at Alice Tully Hall; J.S. Bach’s
Mass in B Minor
and Beethoven’s
Missa Solemnis
with the Long Island
Philharmonic conducted by Christopher Keene; Mahler’s
Das Lied von der Erde
with St. Lukes
Chamber Orchestra, Philippe Herreweghe conducting; Mozart’s
Messiah
with the St. Louis Symphony
conducted by Andrew Parrott; Elliot Carter’s
In Sleep In Thunder
with the Los Angeles
Chamber Orchestra, Oliver Knussen conducting. His collaboration with Julius
Hemphill and the World Saxophone Quartet resulted in the world premiere of
Saxophone Opera “Long Tongues” at The Apollo in New York City.
Mr. Young’s national tours
include Jesus
Christ Superstar in
the role of Judas and
The Wiz
as The Wiz. Regional musical
theatre appearances include
Pippin
as the Leading Player,
Evita
as Che, and
Sweet Charity
as Daddy Brubeck. He has also
received critical and public acclaim in “Stand Up Shakespeare” directed by
Oscar and Tony award-winning Mike Nichols, in New York City.
He has performed jazz concerts
with Tito Puente, Clark Terry, Phil Woods, Grady Tate and Doc Cheatham. Mr.
Young has been a featured performer with Ann-Margaret at Caesar’s Palace Las
Vegas and Lake Tahoe. Television appearances include featured performer on
“Days and Nights of Molly Dodd” with Blair Brown, “Aida’s Brothers and
Sisters” on PBS and “The Mitch Miller Show” on CBS.
Recent engagements include
touring, recording and performing as part of the well known ensemble Three
Mo’ Tenors and now as Cook Dixon & Young; Michael Tipett’s
A Child of our Time
under the direction
of Sir Roger Norrington and Poulenc’s
Les Mamelles de Tiresias
in concert version
conducted by Sir Simon Rattle, both with the Los Angeles Philharmonic; Kurt
Weill’s Street
Scene in the role of
Sam Kaplan with the Radio Symphony Orchestra Berlin, Lawrence Foster
conducting; Stravinsky’s
The Flood
at Carnegie Hall with the London
Sinfonietta under the direction of Oliver Knussen; Bernstein’s
Mass
as the Celebrant with the
Cincinnati Orchestra, James Conlon conducting; Verdi’s
Requiem
with the Colorado Symphony,
Marin Alsop conducting; and a staged production of Tan Dun’s
Marco Polo
in the role of Polo at the
Zagreb Bennale in Croatia. Mr. Young was also a guest performer at the Willa
Awards, Shakespeare Theatre, Washington DC to honor Dame Judith Dench.
Mr. Young’s recordings include
the Grammy-nominated
X: The Life and Times of
Malcolm X, on
Gramavison; John Adams’ Grammy-nominated
The Death of Klinghoffer
on Elektra/Nonesuch;
Tan Dun’s Marco
Polo on SONY, named
Opera of the Year by Opera Magazine; and George Gershwin’s
Blue Monday
on Telarc. Mr. Young can be
heard as a featured soloist on Nancy Wilson’s album “Life, Love, and
Harmony”. Most recently, he can be heard on the multi-Grammy award winning
recording of William Bolcom's
Songs of Innocence and
Experience, Leonard
Slatkin conducting, and
Too Hot to Handel,
Marin Alsop conducting, both
on Naxos.
Mr. Young’s own recordings
include High
Standards and
Claire de Lune, Sister
Moon on ESSAY
Records; and A
Star in the East, A Spiritual Christmas
on Ocean Records. Mr. Young is
the singing voice of Mighty Mouse on Ralph Bakshi’s animated series.
Mr. Young’s website is
www.thomasyoungtenor.com
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